I am interested in sound for it's impermanence, non-object nature, and structural integrity. I draw from its potential palate of sonic mass, color, and points in space in order to create compositions of aural depth perception and sculptural form. Currently I'm using visual programming in tandem with audio and video as a way for me to see sound, performing, producing records, and scoring for contemporary dance.
download -> CV
download -> BIO
-11.06.08 | 6-8pm | installation "Kha Variations \ Passing" | reception \ premiere | 4Culture | press release
-09.20.08 | recording residency | environmental aesthetics | info *
* 420 feet across at the base, and rising to a height of nearly 500 feet,
this now defunct nuclear cooling tower will be the location for recordings
which will be used to create a 45 minute composition.
-09.27.08 | live audio video performance | decibel festival 'optical showcase' | info
-09.18-20, 25&26.08 | "the snow project" an evening length work of sculptured movement, live electronic score, interactive set and lights | tickets | location | website
-08.05.08 | video works "kha variations" will soon be showing at 4Culture's "e4c" gallery
-08.01.08 | new record "through thickness" is now available on d.e. records | details
_____
-10.01.08 | "Through Thickness" review | The WIRE #296
"On the face of it, Through Thickness would appear to be another installment of impeccably high-minded electronic composition for Yann Novak's Seattle based Dragon's Eye label. And so it is – all obsessively-honed digitalia and crisp, ultra-percice editing. But the austerity of the conception and rigor of the sonic processing is counterbalanced by a satisfyingly physical thrust; Through Thickness forms part of Sadeghi's Kha series, which sets out to explore the possibilities of rhythm. The polyrhythmic complexity on display here is strangely reminiscent of the tabla patterns of indian classical music – firm downbeat buffeted by a stream of lighter accents, occasional pulseless longeurs suddenly revitalized by a flurry of perfectly calibrated and finely modulated impacts." -Chris Sharp
-08.1,2.08 | sound design for zoe scofield and juniper shuey dance co. | bates dance festival, Maine
-07.21.08 | new record 'through thickness' will be available in august on d.e. recordings | details
-07.18.08 | dragons eye recordings 3rd yr. anniversarry show | fr. july 18th 8-11 (early show) |
chapel performance space | kamran sadeghi 9:45 | wyndel hunt 9:00 | yann novak 8:15
-04.24 - 04.26 | "the devil you now is better than the devil you don't" | tickets + info *
* Kamran Sadeghi has been commissioned by Zoe Scofield and Juniper Shuey to create a live six channel sonic environment that will accompany "The Devil You Know Is Better Than The Devil You Don’t" at On The Boards. The original score by Morgan Henderson will be used as source material through which Sadeghi will create an immersive aural foundation for Scofield's "feral ballet" technique and Shuey's twisted-yet-clean visual design.
-03.06.08 | performing kha variations | BYDESIGN festival | northwest film forum
-01.29.08 | new video excerpts posted + notes on audio production
-01.19.08 | live | audio video installation | kha variations | okok gallery
-02.22.08 | live | audio video performance | w/ yann novak + wyndel hunt | chapel space
-10.31.07 | 'Untitled (kha series)' | The WIRE #285 review | listen
"the wait of silence is integral to Kamran Sadeghi's "untitled" (from his Kha series), which proceeds initially in tightly honed fits and starts, with pauses of various durations between sections, before eventually coming together as a funky, slinky piece"
-09.27.07 | son of rose | new reviews posted | info
-09.08.07 | performance | percussions for alex martin dance co. | info
-06.27.07 | ColorFieldRemix, Washington, DC.
-09.04.07 | 'Untitled (kha series)' | 'cotton' compilation - DER | info