Kamran Sadeghi is an Iranian born American producer, musician and composer of electronic music based in New York City. Since the late 90’s he has been actively practicing in multiple projects surrounding music and art such as scoring for contemporary dance and film, sound and video installations, experimental and underground club music, record making and sound design.
An autodidact that works with sound as a medium because of it's impermanence, non-object nature and structural integrity. His compositions are often marked with hyper magnification, stillness, unexpected shifts, and sharp punctuation’s that give way to an idea of drawing lines in space with sound.
Sadeghi's output of exploratory music and productions can be found on a diverse list of labels such as Sternberg Press, Sacred Bones Records, Apollo/R&S, Cocoon Recordings, Nervmusic Records, Dragons Eye Recordings, All Inn Records, Marionette, Bella Union and more. He has received routine critical acclaim in The Wire Magazine among others.
After moving to New York from Seattle in 2008, Kamran put the traditional output of making albums on pause to pursue his multi channel sound installations and performances that combine custom designed interactive video. During this period he was awarded an artist residency producing work using the Nam June Paik Wobbulator, worked for composer Morton Subotnick and became co-curator of one of the first galleries dedicated to multi-channel Sound Art, Diapason. Active in the contemporary music scene in New York he performed at Issue Project Room, Experimental Intermedia, aka Phil Niblock’s loft, The Stone and others.
His live club sets have been performed in venues such as Resonate Festival, ADE, Robert Johnson, REX Club, Awakenings, Club Der Visionaere and more. His solo experimental performances have put him on line-ups with the likes of Fennesz, Tim Hecker and Vladislav Delay, among others.