KAMRAN SADEGHI ︎︎︎VIDEO
Loss Less /live audiovisual performance excerpt / 2022 - currentLoss Less is a site-specific audiovisual work recorded inside the
defunct nuclear cooling tower Satsop in Washington State. It is an
exploration of sound and image while creating awareness of the use and
abuse of our natural resources. The video installation premiered at the
Louvre Museum, Paris and HKW, Berlin. The live performance consists of
single or multichannel real-time video processing combined with
location recordings and modular synthesis processed through an acoustic
replica using the natural resonance of the cooling tower.
Magnetic Moments / 2022
Experimental Television Center / 2009
Recorded during my Experimental Television Center Residency using the Wobbulator and other video synthesizers made by Nam June Paik and video engineer Shuya Abe.
2009
Delusions / 2022 - ongoing
Delusion is a series of video works instigated by the the Woman led
revolution in Iran that began in 2022 after the death of Mahsa Ziana
Amini.
"Kha Variations / Passing" - 2008
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Multi display public video installation with stereo audio Commissioned by e4c, Gallery4Culture, Seattle Wa.
"Kha Variations / Passing" installation at 4Culture // full article "Perhaps the strongest piece in this exhibit, certainly the one best suited for the venue, is Kamran Sadeghi's musical bands of color. Color and sound are used to best effect here, with visual patterns generated by the music. The piece begins with fat bands of primary color, punctuated with each individual note. As the music becomes more complex and speeds up, the lines of horizontal pigment become thinner, pil ing up in skinny lines of pink and blue until a visual crescendo is reached. The piece ends with a monochrome hum, depicted in grayscale." - Seattle Post Intelligencer
Multi display public video installation with stereo audio Commissioned by e4c, Gallery4Culture, Seattle Wa.
"Kha Variations / Passing" installation at 4Culture // full article "Perhaps the strongest piece in this exhibit, certainly the one best suited for the venue, is Kamran Sadeghi's musical bands of color. Color and sound are used to best effect here, with visual patterns generated by the music. The piece begins with fat bands of primary color, punctuated with each individual note. As the music becomes more complex and speeds up, the lines of horizontal pigment become thinner, pil ing up in skinny lines of pink and blue until a visual crescendo is reached. The piece ends with a monochrome hum, depicted in grayscale." - Seattle Post Intelligencer
Melting Point
Cohesion
single channel video w/ stereo soundOriginally screened in 2011 at Ende Tymes : 'Festival of Noise and Experimental Liberation'
NYCulture - ETC