https://kamransadeghi.com kamransadeghi.com Thu, 21 Sep 2023 03:10:45 +0000 https://kamransadeghi.com en https://kamransadeghi.com/Information Mon, 12 Feb 2018 01:21:48 +0000 kamransadeghi.com https://kamransadeghi.com/Information ABOUT <img width="1149" height="1048" width_o="1149" height_o="1048" data-src="https://freight.cargo.site/t/original/i/dc8d80dcd30b5e7b220b480a453379b70aa60f012920819f0ab129f16a8848b2/DEJA-WU_Pascal_Montary.jpg" data-mid="11083874" border="0" src="https://freight.cargo.site/w/1000/i/dc8d80dcd30b5e7b220b480a453379b70aa60f012920819f0ab129f16a8848b2/DEJA-WU_Pascal_Montary.jpg" /> Kamran Sadeghi is an electronic music producer, composer and musician in constant exploration of his craft. Based in New York City, Kamran comes from a diverse background of film scores, multi channel sound and video art, live performance and ambient music. &nbsp;During his first years in New York, he worked as an assistant to Morton Subotnick. &nbsp;Kamran also became assistant curator at Diapason Gallery, one of the first and only Sound Art Galleries in North America. &nbsp;His solo live performances are full of details, both physical and subliminal. The experience of Kamran's microscopic sound design can at times seem three dimensional. There's a refreshing human element in his 'on the spot' rhythm sequencing and mixing, with modular synthesis at the very center - leaving us to question 'push button' live set’s. &nbsp;Kamran's early ambient work under the alias Son Of Rose received critical acclaim in publications such as The WIRE Magazine among others. As the music producer and arranger of the art and music group Soundwalk Collective, he has performed with Patti Smith and Jesse Paris Smith, Nan Goldin and Samuel Rohrer. &nbsp;&nbsp; As an artist, Kamran Sadeghi creates sensory environments at the intersection of sound, light and acoustics. Sadeghi draws from these elements to play with the awareness that can materialize between their physical properties and the human perception. He is fascinated by sound for it's impermanence, non-object nature and structural integrity. His compositions are often marked with hyper magnification, stillness, unexpected shifts, and sharp punctuations that give way to an idea of drawing lines in space with sound. As a composer, music producer and sound designer Sadeghi draws from an innate urge to create harmony, rhythm and texture. His approach is both methodical and intuitive while keeping his technical and trained ear hidden in the vault of his mind to not disturb the chance of capturing the moment. https://kamransadeghi.com/Project-Nav Mon, 12 Feb 2018 01:21:49 +0000 kamransadeghi.com https://kamransadeghi.com/Project-Nav Index &nbsp; &nbsp; Next ︎ https://kamransadeghi.com/ABOUT Thu, 22 Feb 2018 03:18:47 +0000 kamransadeghi.com https://kamransadeghi.com/ABOUT KAMRAN SADEGHI ︎ABOUT <img width="2160" height="1440" width_o="2160" height_o="1440" data-src="https://freight.cargo.site/t/original/i/a04383fc49034a2656ba787052c296ce9d907a74a86268397bfb1ec185fc522a/8-08.29.23-Spectral-Kyoka-Kamran-Sadeghi-Lt.te--8RY8RY.jpg" data-mid="207824018" border="0" src="https://freight.cargo.site/w/1000/i/a04383fc49034a2656ba787052c296ce9d907a74a86268397bfb1ec185fc522a/8-08.29.23-Spectral-Kyoka-Kamran-Sadeghi-Lt.te--8RY8RY.jpg" /><img width="1752" height="1168" width_o="1752" height_o="1168" data-src="https://freight.cargo.site/t/original/i/b5163959affd250942c3d6dd6d3da6cefb6554d18ed9541c6cae43ea33a7d78e/Jamie.Jar-28.jpg" data-mid="207822966" border="0" src="https://freight.cargo.site/w/1000/i/b5163959affd250942c3d6dd6d3da6cefb6554d18ed9541c6cae43ea33a7d78e/Jamie.Jar-28.jpg" /><img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/eff28c158ac55a2c685dd3a275ee231b4550b917b1b046449d6049017d6cc147/5C1A0062.jpg" data-mid="179099795" border="0" src="https://freight.cargo.site/w/1000/i/eff28c158ac55a2c685dd3a275ee231b4550b917b1b046449d6049017d6cc147/5C1A0062.jpg" /><img width="1620" height="1080" width_o="1620" height_o="1080" data-src="https://freight.cargo.site/t/original/i/db4c8dc8caafba6fa3220df6f5b0f466b32338cac102604da4ce6bbab64c1a82/DEJA-WU-Rexclub-PM_B5468--Pascal-Montary.jpg" data-mid="114813208" border="0" src="https://freight.cargo.site/w/1000/i/db4c8dc8caafba6fa3220df6f5b0f466b32338cac102604da4ce6bbab64c1a82/DEJA-WU-Rexclub-PM_B5468--Pascal-Montary.jpg" /> Kamran Sadeghi is a New York City–based artist working across music, performance, and installation, using sound as a sculptural material. He performs internationally across clubs, festivals, and site-specific contexts, appearing on lineups with Tim Hecker, Richard Devine, Aho Ssan, and Moritz von Oswald, and working with Patti Smith, Nan Goldin, Zimoun, Matthew Herbert, and Sasha Waltz. His work focuses on rhythmic patterns, spatial behavior, and sonic artifacts as compositional material. Phase relationships drift as accents cut through dense layers of sound. In Loss Less (LINE Sound Art Editions), a short signal is cycled through a defunct nuclear cooling tower, where successive recordings allow the structure’s resonance to overtake the source. Compositions, installations, and soundtracks have been presented at the Louvre Museum, Hamburger Bahnhof, Centre Pompidou, Rubin Museum of Art, Berlin Biennale, Museum Folkwang, Noguchi Museum, Haus der Kulturen der Welt, CTM Festival, MUDAM, MuCEM, Berghain, Museo Madre, National Museum of Singapore, Palazzo Reale, Radialsystem, and Funkhaus Berlin, including the soundtrack for Approximation, released via Sternberg Press and presented at Broken Music Vol. 2 at Hamburger Bahnhof. From 2010 to 2018, Sadeghi was a founding member of Soundwalk Collective, serving as lead composer, live performance and co-creative director, where he developed and produced the group’s first live works and albums. He has lectured at City University of New York, Pratt Institute, and Feirstein Graduate School of Cinema, and served as a panelist for the McKnight Fellowships for Musicians. Releases appear on Sternberg Press, LINE, The Vinyl Factory, Amenthia Recordings, SUPERPANG, Sacred Bones, Cocoon, Opal Tapes, Apollo Records, and Dragon’s Eye Recordings. Since 2005, he has also worked as a mixing and mastering engineer and record producer across a range of genres. ︎&nbsp;︎ ︎&nbsp;︎ ︎&nbsp;︎&nbsp;︎&nbsp;RA ︎&nbsp;︎&nbsp;︎&nbsp; https://kamransadeghi.com/CONTACT Mon, 14 Jan 2019 21:48:28 +0000 kamransadeghi.com https://kamransadeghi.com/CONTACT KAMRAN SADEGHI ︎CONTACT all inquiries :︎ - Subscribe to our mailing list ︎ ︎ ︎ &nbsp;︎ &nbsp;︎ ︎ &nbsp;RA ︎ &nbsp;︎ <img width="1149" height="1048" width_o="1149" height_o="1048" data-src="https://freight.cargo.site/t/original/i/dc8d80dcd30b5e7b220b480a453379b70aa60f012920819f0ab129f16a8848b2/DEJA-WU_Pascal_Montary.jpg" data-mid="240043865" border="0" src="https://freight.cargo.site/w/1000/i/dc8d80dcd30b5e7b220b480a453379b70aa60f012920819f0ab129f16a8848b2/DEJA-WU_Pascal_Montary.jpg" /> https://kamransadeghi.com/PRESS Mon, 12 Feb 2018 01:21:51 +0000 kamransadeghi.com https://kamransadeghi.com/PRESS KAMRAN SADEGHI ︎PRESS “dizzying mix of airlock futurism, dubtech moodiness and hi-res digi-industrial grind. Abstract and brilliant, for fans of Pole, Ryoji Ikeda, Emptyset or Oval.”&nbsp;-Boomkat“...very much in the spirit of Alva Noto, Pan Sonic, and the darker side of Autechre...” -Headphone Commute “...there’s a unique delicacy and poise to his compositions. More like digital scrims made up of fluctuating groupings of microscopic events...” - The WIRE Magazine “The New York City-based artist—who divides his time between there and Berlin—is an elusive character, though one who is well respected and much appreciated by those familiar with his work.”-XLR8R Magazine “Brutal hooks and harmonies emerge through a close study of the science of sound as hypnotic poly-rhythms weave through shaped frequencies” -Decoded Magazine “Kamran Sadeghi has been rising fast in recent years delivering a deep and gripping sound profile. Now with his latest material he's further exploring cosmic, bouncing melodies and textures” -Mixmag “...immaculately engineered sonic sophistication.” - Furthurnoise “...Sadeghi’s use of the slow-swelling properties of the E-bow filtering through subterranean museums of opaque, glassy dreamscapes like a less oppressive virsion of Halo Manash’s Isolationist Ambience. Disarming Stuff.” - The WIRE Magazine <img width="936" height="1193" width_o="936" height_o="1193" data-src="https://freight.cargo.site/t/original/i/dff1140f6889893f0d7925107f3555b1fb6e151567b8c9eb651b32b279cc258c/Screen-Shot-2020-11-29-at-11.47.36-PM.png" data-mid="90560981" border="0" src="https://freight.cargo.site/w/936/i/dff1140f6889893f0d7925107f3555b1fb6e151567b8c9eb651b32b279cc258c/Screen-Shot-2020-11-29-at-11.47.36-PM.png" /> <img width="1772" height="1772" width_o="1772" height_o="1772" data-src="https://freight.cargo.site/t/original/i/10e679575a5fdfa845240270ec76517a1babc6dc919b58099c19c57c8ad53936/IMG_3847.JPG" data-mid="90561611" border="0" src="https://freight.cargo.site/w/1000/i/10e679575a5fdfa845240270ec76517a1babc6dc919b58099c19c57c8ad53936/IMG_3847.JPG" /> <img width="785" height="406" width_o="785" height_o="406" data-src="https://freight.cargo.site/t/original/i/465b473bb1ed137ba05d16355874c13499ee5abd2578b2c3285d5a95f6b60825/Screenshot-2023-04-06-at-12.49.47-PM.png" 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width="2654" height="1508" width_o="2654" height_o="1508" data-src="https://freight.cargo.site/t/original/i/15cb50cf9ef995db0df530f00f6582b9d77063d4ee32a91cba848a0b0b68b4aa/Screen-Shot-2018-01-30-at-3.30.13-PM.png" data-mid="11135572" border="0" src="https://freight.cargo.site/w/1000/i/15cb50cf9ef995db0df530f00f6582b9d77063d4ee32a91cba848a0b0b68b4aa/Screen-Shot-2018-01-30-at-3.30.13-PM.png" /><img width="2636" height="1426" width_o="2636" height_o="1426" data-src="https://freight.cargo.site/t/original/i/f39b6e8f0954592e60850536d7f705c23533c28482e1e084aedaa9192b88a3bf/Screen-Shot-2018-01-30-at-3.30.00-PM.png" data-mid="11135571" border="0" src="https://freight.cargo.site/w/1000/i/f39b6e8f0954592e60850536d7f705c23533c28482e1e084aedaa9192b88a3bf/Screen-Shot-2018-01-30-at-3.30.00-PM.png" /> https://kamransadeghi.com/CURRENT Mon, 19 Feb 2018 16:15:09 +0000 kamransadeghi.com https://kamransadeghi.com/CURRENT KAMRAN SADEGHI ︎CURRENT <img width="2400" height="1700" width_o="2400" height_o="1700" data-src="https://freight.cargo.site/t/original/i/1ad7a0cbb0c458ec0bb436f06e9c0e8a8b4c984bc6ef6408b76af8587c06c034/Vinyl-Inner-Image.png" data-mid="244330309" border="0" src="https://freight.cargo.site/w/1000/i/1ad7a0cbb0c458ec0bb436f06e9c0e8a8b4c984bc6ef6408b76af8587c06c034/Vinyl-Inner-Image.png" /><img width="2400" height="1700" width_o="2400" height_o="1700" data-src="https://freight.cargo.site/t/original/i/84097cc0524dba81dc5708a6acd4c6ed8e0fd9d8aac7895316b3eca410767122/Vinyl-Record-PSD-MockUp-Back.png" data-mid="244330310" border="0" src="https://freight.cargo.site/w/1000/i/84097cc0524dba81dc5708a6acd4c6ed8e0fd9d8aac7895316b3eca410767122/Vinyl-Record-PSD-MockUp-Back.png" />aboutInner Image is a series of live studio recordings by Kamran Sadeghi, an Iranian, New York City–based composer and interdisciplinary artist working across electronic music, sound art, and multichannel composition. The EP is focused on rhythm programming and non-sample-based, hyper-sculpted synthesis. Audible artifacts become compositional material, producing shifting textures while exploring auditory illusion, spectral layering, and spatial perception. This debut release on amenthia recordings bridges Sadeghi’s club sound system music with his ongoing work in sound art and avant-garde composition.Inner Image1.Crush Mod2.Arealist 3.Picture Maker4.Conduit5.Sibling6.Melt7.Motivater (Digital Bonus) creditsreleases January 30, 2026Written and produced by: Kamran SadeghiMastering by: Stefan Betke (pole) at scape masteringArtwork: Laurent WiansDesign: Ieva Zuklyte <img width="1028" height="1371" width_o="1028" height_o="1371" data-src="https://freight.cargo.site/t/original/i/7eb2e5b1ccd1882dff94990e96a55724940bc1a15e19f6b0ae74e1069a862019/b2c85bbd8f6c4aa4781fb88ae487ed17381966e7.jpeg" data-mid="245026037" border="0" src="https://freight.cargo.site/w/1000/i/7eb2e5b1ccd1882dff94990e96a55724940bc1a15e19f6b0ae74e1069a862019/b2c85bbd8f6c4aa4781fb88ae487ed17381966e7.jpeg" /> TwentyTwentyFive: A Dragon&#39;s Eye Recordings Mixtape by Kamran Sadeghi <img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/315fb8137bf3984cbd45713dadfcc81d0ce0e283b5e104c10ce3a2bb47b8c881/der-.jpg" data-mid="244330116" border="0" src="https://freight.cargo.site/w/1000/i/315fb8137bf3984cbd45713dadfcc81d0ce0e283b5e104c10ce3a2bb47b8c881/der-.jpg" />Memory Landscape Pt.3 was recorded live at the Noguchi Museum and is released as part of Dragon’s Eye Recordings annual mix tape series TwentyTwentyFive, organized and curated by antxnio graz, takes shape as a reflection on how we inhabit a shared world amid the fragility of the present. As with every release in the series, the mixtape is free to download. Featuring unreleased works by France Jobin, Patricia Wolf, Alexandra Spence, HOSOO, antxnio graz, Noah Rosa, Kamran Sadeghi, and Manuel Carbone, Kamran Sadeghi - Memory Landscapes, Pt. 3 10:18 <img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/e4fa9beb87659a1ae838e81367108a4205d6668ccaea2d21c3999c0ba4d0a6c2/takt-b.jpg" data-mid="244329025" border="0" src="https://freight.cargo.site/w/1000/i/e4fa9beb87659a1ae838e81367108a4205d6668ccaea2d21c3999c0ba4d0a6c2/takt-b.jpg" /> Satoshi Tomiie &amp; Kamran Sadeghi Present TAKT - Acid Futurism BANDCAMP / ROUGH TRADE / DECKS.DE1.Strike 10:012.Tropic 02:053.Acid Futurism 09:044.The Landing 04:19 12" Marbled VinylRecord/Vinyl + Digital Album Produced, Performed and Arranged by TAKTWritten by Satoshi Tomiie &amp; Kamran SadeghiPublished by Satoshi Tomiie Music (ASCAP) Locked Music ( PRS )Mastered by Mike Grinser at Manmade Mastering, Berlin <img width="3024" height="1662" width_o="3024" height_o="1662" data-src="https://freight.cargo.site/t/original/i/853171babf33bb10d64774e86fa996bd40b528dbb3ebf438a61615f5558e45e3/Screenshot-2025-10-29-at-12.50.26-PM.png" data-mid="240043610" border="0" src="https://freight.cargo.site/w/1000/i/853171babf33bb10d64774e86fa996bd40b528dbb3ebf438a61615f5558e45e3/Screenshot-2025-10-29-at-12.50.26-PM.png" />Playback 0022 w/ Debit and Carrier Nov. 5 at Bar Laika by e-flux Playback is a series of informal listening events curated by Kamran Sadeghi where labels, musicians, composers, and producers feature recordings from their catalog, and premiere album pre-releases, archives, and other rarities. <img width="1206" height="1402" width_o="1206" height_o="1402" data-src="https://freight.cargo.site/t/original/i/ef280e6be4b78f89aa6febdd7ef8fce71335721b63315f86f2bb666c3dd0c9ac/kamran-sadeghi-Amant.jpeg" data-mid="237034310" border="0" src="https://freight.cargo.site/w/1000/i/ef280e6be4b78f89aa6febdd7ef8fce71335721b63315f86f2bb666c3dd0c9ac/kamran-sadeghi-Amant.jpeg" /> <img width="718" height="898" width_o="718" height_o="898" data-src="https://freight.cargo.site/t/original/i/2aff70c7ffe6d00bb0dd32d9c25c56f4a579a1fef348fd2f1ddd5c4306128a57/Screenshot-2025-07-01-at-6.35.37-PM.png" data-mid="235287153" border="0" src="https://freight.cargo.site/w/718/i/2aff70c7ffe6d00bb0dd32d9c25c56f4a579a1fef348fd2f1ddd5c4306128a57/Screenshot-2025-07-01-at-6.35.37-PM.png" /> <img width="1200" height="802" width_o="1200" height_o="802" data-src="https://freight.cargo.site/t/original/i/02362ceb889a5160a9bff958235483f3f520f09f319180b7c69f0def7b22efbf/0037133676_10.jpg" data-mid="235285457" border="0" src="https://freight.cargo.site/w/1000/i/02362ceb889a5160a9bff958235483f3f520f09f319180b7c69f0def7b22efbf/0037133676_10.jpg" />The newest release from 29 Speedway, UltraBody, is a compilation record featuring the music of Jake Muir, Pent &amp; Dylan Kerr, Nexcyia &amp; mu tate, James K, Flora Yin-Wong, Ex Wiish &amp; Dorothy Carlos, Kamran Sadeghi, Tati au Miel, James Hoff, Eric Frye, qwqwqwqwa &amp; sop.io, Muein, &amp; Maxwell Sterling. The record is emblematic of the artists who have performed at 29 Speedway shows in New York and Europe during the past two years, and is the third in a series released by the label. <img width="951" height="930" width_o="951" height_o="930" data-src="https://freight.cargo.site/t/original/i/3d8087696891f7ed0ad958f93c11e577e98df372cb329a1032c8702cc3618f49/Screenshot-2024-08-14-at-5.53.00-PM.png" data-mid="216375293" border="0" src="https://freight.cargo.site/w/951/i/3d8087696891f7ed0ad958f93c11e577e98df372cb329a1032c8702cc3618f49/Screenshot-2024-08-14-at-5.53.00-PM.png" />Disappearing Music (for Nam June Paik) sees Kamran Sadeghi return to LINE with a work utilizing the Wobbulator, a 1970s video synthesizer of the founder of video art, Nam June Paik. Sadeghi’s previous LINE release was 2020’s Loss Less (LINE_110). <img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/5563d764ae5d67a57c458c6f321b0effcfb3650c4584ac795a270d46387fedfe/cover.jpg" data-mid="216375449" border="0" src="https://freight.cargo.site/w/1000/i/5563d764ae5d67a57c458c6f321b0effcfb3650c4584ac795a270d46387fedfe/cover.jpg" /> ‘Wild Life’ was recording during a period of record-shatering air polution in New York City. <img width="1037" height="892" width_o="1037" height_o="892" data-src="https://freight.cargo.site/t/original/i/bfeac8dfa7d45881312380a13b5d3fa1ecf0da7730328fd6e7138498623e677d/Screenshot-2024-05-30-at-4.45.50-PM.png" data-mid="216375204" border="0" src="https://freight.cargo.site/w/1000/i/bfeac8dfa7d45881312380a13b5d3fa1ecf0da7730328fd6e7138498623e677d/Screenshot-2024-05-30-at-4.45.50-PM.png" /> Live performance of‘Memory Landscapes‘ at The Noguchi Museum. A composition for modular synthesis and delay loops that explores the flow of time through the layering, fragmentation, and disintegration of live sonic textures. It reflects on how we, both individually and collectively, experience the past, present, and future, shaped by personal moments and the powerful forces that alter our world.” –Kamran Sadeghi <img width="2400" height="2400" width_o="2400" height_o="2400" data-src="https://freight.cargo.site/t/original/i/0ef283e82a01a4d357bbcf924346b1bd744bfaeadd63bf20d3206641a4f3bfb7/PLAYBACK-006-01.png" data-mid="198960441" border="0" src="https://freight.cargo.site/w/1000/i/0ef283e82a01a4d357bbcf924346b1bd744bfaeadd63bf20d3206641a4f3bfb7/PLAYBACK-006-01.png" />Sunday, December 10 from 6pm Playback welcomes Canary Records, a label specializing in early twentieth-century folk masterpieces (mostly) in languages other than English. Founder&nbsp;Ian Nagoski&nbsp;is a music researcher and reissue record producer in Baltimore, Maryland who specializes in early twentieth-century recordings with a focus on the musics of immigrants. Over the past fifteen years, he has produced albums for Dust-to-Digital, Tompkins Square, Mississippi, Important, the Database of Recorded American Music, and his own Canary Records label&nbsp;among others. He travels and lectures across the US&nbsp;and Europe. In 2022, he co-authored and published the book and CD Zabelle Panosian: I am Servant of Your Voice. Playback is a series of listening events curated by&nbsp;Kamran Sadeghi&nbsp;where record labels, musicians, composers, and producers feature recordings from their catalog, and premiere album pre-releases, archives, and other rarities. e-flux events page WILD LIFE | Sep 8 - Oct 14 Location: Gabriele Senn Galerie, Vienna Curator: Raphael Oberhuber Artist: Kamran Sadeghi Title: Wild Life Medium: Sound Length: 05:00 ( Loop Synced ) Edition: 1 Inquiries: office@galeriesenn.at SPECTRAL 08.29.23 at Public RecordsKyoka LIVE (JP, raster-media ) - Kamran Sadeghi LIVE - Løt.te DJ <img width="915" height="915" width_o="915" height_o="915" data-src="https://freight.cargo.site/t/original/i/52625a757d354f8f38f4a67e121ac6ecdd3059ebac240e599166873a2d9a9a36/Kamran-Sadeghi-Live.JPG" data-mid="185733442" border="0" src="https://freight.cargo.site/w/915/i/52625a757d354f8f38f4a67e121ac6ecdd3059ebac240e599166873a2d9a9a36/Kamran-Sadeghi-Live.JPG" /><img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/149ab86e443cf75c06a3410a58e83d8128e34a9a4c907ef8239df4c31681d907/spectral-2.jpg" data-mid="185733059" border="0" src="https://freight.cargo.site/w/1000/i/149ab86e443cf75c06a3410a58e83d8128e34a9a4c907ef8239df4c31681d907/spectral-2.jpg" /><img width="750" height="980" width_o="750" height_o="980" data-src="https://freight.cargo.site/t/original/i/3c5d2f04e9bd86f9b27a51cb56b1ecd7c06e6cf230c633e631c577be0907d97b/kyoka1.jpg" data-mid="185733891" border="0" src="https://freight.cargo.site/w/750/i/3c5d2f04e9bd86f9b27a51cb56b1ecd7c06e6cf230c633e631c577be0907d97b/kyoka1.jpg" /> TICKETSIt’s another edition of Spectral, an exploratory and immersive evening led by composer, record producer and interdisciplinary artist Kamran Sadeghi. Informed by his own experiments around the physicality of sound, the nighto examines the many forms that music can take in the hands of innovative daring sound artists and composers. For this edition, we welcome the experimental Japanese musician and composer, Kyoko. With a penchant for chaos, she cobbles together glitchy pop-beats with danceable rhythms, resulting in a sound as confounding as it is transfixing. With releases on labels such as Raster-Noton and Onpa))))), she has a home in the unpredictable. Løt.te has performed globally both live and as a dj, at venues such as Berghain (BER), Pickle Factory (LON) and Contact (TOK). Limited tickets will available at the door. <img width="1920" height="1026" width_o="1920" height_o="1026" data-src="https://freight.cargo.site/t/original/i/3b1fdaaed1ced1981b587147b3cf10c5007f685abe24f6a5cff3cffed5614ba8/Screenshot-2023-04-20-at-12.07.42-PM.png" data-mid="176174226" border="0" src="https://freight.cargo.site/w/1000/i/3b1fdaaed1ced1981b587147b3cf10c5007f685abe24f6a5cff3cffed5614ba8/Screenshot-2023-04-20-at-12.07.42-PM.png" /> Introducing a new listening series "Playback" -&nbsp; Join us for the launch this Sunday April 23rd at Bar Laika by e-flux - 6-9PM&nbsp; - free&nbsp;Playback is a series of listening events curated by Kamran Sadeghi where record labels, musicians, composers, and producers will feature recordings from their catalog, premiere album pre-releases, archives, and other rarities. For the first edition of Playback, Unseen Worlds label founder Tommy McCutchon will play the record label’s vinyl releases and more.Unseen Worlds is a record label releasing quality editions of unheralded and revolutionary yet accessible avant-garde music. We are interested in media that captures a timeless ecstasy of creativity, that seem out of space, alien, yet are deeply resonant and approachable. They are both primary and mysterious. They contain multitudes, engaging the listener through their historical context and sheer musicality. Our releases are surprisingly disparate and reliable.https://www.e-flux.com/live/ <img width="949" height="464" width_o="949" height_o="464" data-src="https://freight.cargo.site/t/original/i/d69a396e35247d7b595fb4403f815e246e5772b055d540351f303e33d378b492/csm_HBF-broken-music-vol-2_2_xl_afc7ded75e.jpg" data-mid="168693782" border="0" src="https://freight.cargo.site/w/949/i/d69a396e35247d7b595fb4403f815e246e5772b055d540351f303e33d378b492/csm_HBF-broken-music-vol-2_2_xl_afc7ded75e.jpg" /> <img width="949" height="464" width_o="949" height_o="464" data-src="https://freight.cargo.site/t/original/i/f3b63e1b1a95a036959189327d51f978b4c5d79499b344136d95185e0b12fd32/csm_HBF-broken-music-vol-2_xl_df28569b7d-1.jpg" data-mid="168693834" border="0" src="https://freight.cargo.site/w/949/i/f3b63e1b1a95a036959189327d51f978b4c5d79499b344136d95185e0b12fd32/csm_HBF-broken-music-vol-2_xl_df28569b7d-1.jpg" /> <img width="949" height="464" width_o="949" height_o="464" data-src="https://freight.cargo.site/t/original/i/6ddd58e70894012a835119beea0360fde3b6eeff2582e967205cfca4d7f06b7d/csm_HBF-broken-music-vol-2_1_xl_776ba03048.jpg" data-mid="168693710" border="0" src="https://freight.cargo.site/w/949/i/6ddd58e70894012a835119beea0360fde3b6eeff2582e967205cfca4d7f06b7d/csm_HBF-broken-music-vol-2_1_xl_776ba03048.jpg" /> Hamburger Bahnhof – Museum of Contemporary Art, Berlin – Broken Music Vol. II. includes 12” LP Soundtrack “Approximation” My soundtrack “Approximation” is part of the group show at Hamburger Bahnhof in Berlin. With works and records from various artists, including: Laurie Anderson, Katja Aufleger, Jean-Michel Basquiat, Douglas Gordon, Romuald Hazoumè, Anne Imhof, Christina Kubisch, Bernhard Leitner, Robert Lippok, Christian Marclay, Carsten Nicolai, Emeka Ogboh, Nam June Paik, Wolfgang Tillmans, Andy Warhol, Lawrence Weiner and many more.Original Score for “Approximation" in the digital age for a humanity condemned to disappear” by Mario Pfeifer Published by: Sternberg Press“Broken Music Vol.2” Curated by Sven Beckstette and Ingrid Buschmann <img width="2917" height="2917" width_o="2917" height_o="2917" data-src="https://freight.cargo.site/t/original/i/22219f1d8eb63b5ee027d27237aa457ff5318546223dc97b2f5eb88379beaec2/image0.jpeg" data-mid="161171038" border="0" src="https://freight.cargo.site/w/1000/i/22219f1d8eb63b5ee027d27237aa457ff5318546223dc97b2f5eb88379beaec2/image0.jpeg" /> <img width="1380" height="1080" width_o="1380" height_o="1080" data-src="https://freight.cargo.site/t/original/i/0eb298c69ae605647fcb91efa91d36259011f6bb6e0a11f3cc44149c5ccb1186/Superpang-logo.jpg" data-mid="161304674" border="0" src="https://freight.cargo.site/w/1000/i/0eb298c69ae605647fcb91efa91d36259011f6bb6e0a11f3cc44149c5ccb1186/Superpang-logo.jpg" /> <img width="2008" height="1014" width_o="2008" height_o="1014" data-src="https://freight.cargo.site/t/original/i/548c8263c3ce8328f0dbac1718de913d6310fa8e7e3a2d557173cb95e149edbb/2052.png" data-mid="163473969" border="0" src="https://freight.cargo.site/w/1000/i/548c8263c3ce8328f0dbac1718de913d6310fa8e7e3a2d557173cb95e149edbb/2052.png" /> <img width="2008" height="1014" width_o="2008" height_o="1014" data-src="https://freight.cargo.site/t/original/i/c8b23a8bd4e8521a38eb089b1371b1881d07528b01c03ce54794d1f8ca718a83/116.png" data-mid="163473983" border="0" src="https://freight.cargo.site/w/1000/i/c8b23a8bd4e8521a38eb089b1371b1881d07528b01c03ce54794d1f8ca718a83/116.png" /> <img width="2008" height="1014" width_o="2008" height_o="1014" data-src="https://freight.cargo.site/t/original/i/40e18f06961b7e5251594304bb60b9c0efb898f175f4c0b5d93fc2f4858e3fc9/1704.png" data-mid="163473982" border="0" src="https://freight.cargo.site/w/1000/i/40e18f06961b7e5251594304bb60b9c0efb898f175f4c0b5d93fc2f4858e3fc9/1704.png" /> <img width="2008" height="1014" width_o="2008" height_o="1014" data-src="https://freight.cargo.site/t/original/i/3942e9d7ba76f8280e8412017b02f89c271e91238dcaa7c0ebe7a741b387b371/1606.png" data-mid="163473971" border="0" src="https://freight.cargo.site/w/1000/i/3942e9d7ba76f8280e8412017b02f89c271e91238dcaa7c0ebe7a741b387b371/1606.png" /> <img width="2008" height="1014" width_o="2008" height_o="1014" data-src="https://freight.cargo.site/t/original/i/fb93f943abecd0b2ee9e35291d03674096600cb649f54febaa6b25496d9aed36/2431.png" data-mid="163473970" border="0" src="https://freight.cargo.site/w/1000/i/fb93f943abecd0b2ee9e35291d03674096600cb649f54febaa6b25496d9aed36/2431.png" /> Magnetic Moments Label: SUPERPANG Filigree, liminal, ambient/noise sculpture composed and mixed in binaural settings, sounds best with headphones but also rewards with speaker play. RIYL Christina Kubisch, Kevin Drumm, Thought Broadcast, CMvH - Boomkat Magnetic Moments by Kamran Sadeghi <img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/e814e9eb58e6cc09ed37f07c7b168f72dc59fe63d65ed735b609e48d88055ff3/1203_spectral_flyer--2.jpg" data-mid="159423802" border="0" src="https://freight.cargo.site/w/1000/i/e814e9eb58e6cc09ed37f07c7b168f72dc59fe63d65ed735b609e48d88055ff3/1203_spectral_flyer--2.jpg" /><img width="1170" height="1455" width_o="1170" height_o="1455" data-src="https://freight.cargo.site/t/original/i/c50798ad4f1528039083b4a7fdb054d46e8ef58ad634a6bde54f68f9688ce8b5/IMG_2699.jpeg" data-mid="161170798" border="0" src="https://freight.cargo.site/w/1000/i/c50798ad4f1528039083b4a7fdb054d46e8ef58ad634a6bde54f68f9688ce8b5/IMG_2699.jpeg" /><img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/6a1d36fe10cb5f1db4a50420a88fd6adcc2b6a02463f471ecaf25328dbc3bc2f/315432768_682017559940727_6510032892651771484_n.jpg" data-mid="161170643" border="0" src="https://freight.cargo.site/w/1000/i/6a1d36fe10cb5f1db4a50420a88fd6adcc2b6a02463f471ecaf25328dbc3bc2f/315432768_682017559940727_6510032892651771484_n.jpg" /><img width="705" height="977" width_o="705" height_o="977" data-src="https://freight.cargo.site/t/original/i/58de11898f18e28de0368aad358745cb2b31167c80b0e73bf1a2ead5143dcf6b/Screen-Shot-2022-12-02-at-2.15.57-PM.png" data-mid="161170635" border="0" src="https://freight.cargo.site/w/705/i/58de11898f18e28de0368aad358745cb2b31167c80b0e73bf1a2ead5143dcf6b/Screen-Shot-2022-12-02-at-2.15.57-PM.png" />Spectral, the exploratory and immersive event series and residency led by Iranian-born composer, record producer and interdisciplinary artist Kamran Sadeghi teams up with Unsound to present solo performances by Warsaw-based composer Resina and Paris-based electronic musician Aho Ssan in the Sound Room. Tickets RA / DICE <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/a5fa74b4b5615681cdf63e42a9debeec2eb048ca8219ad1f65e987363c87a49a/women-life-freedom-2.jpg" data-mid="158400089" border="0" src="https://freight.cargo.site/w/1000/i/a5fa74b4b5615681cdf63e42a9debeec2eb048ca8219ad1f65e987363c87a49a/women-life-freedom-2.jpg" />Women Life Freedom by Kamran Sadeghi <img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/78725ff282ae90760ce688268e9516b00f782f49ecf093691984d7dea2161e5f/spectral-copy.jpg" data-mid="155501770" border="0" src="https://freight.cargo.site/w/1000/i/78725ff282ae90760ce688268e9516b00f782f49ecf093691984d7dea2161e5f/spectral-copy.jpg" />Spectral Blur, the exploratory and immersive event series led by Iranian-born musician, composer, record producer and interdisciplinary artist Kamran Sadeghi, returns for another edition in the Sound Room. For this installment Sadeghi has invited Monterrey-born, Texas-reared, NYC-based producer and DJ Delia Beatriz aka DEBIT. <img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/f426fd8cf00db47d8f22f5531380c12cdef990b90c6609c5bdcb41a70addd6e8/gabor-1.jpg" data-mid="151238583" border="0" src="https://freight.cargo.site/w/1000/i/f426fd8cf00db47d8f22f5531380c12cdef990b90c6609c5bdcb41a70addd6e8/gabor-1.jpg" /> <img width="811" height="736" width_o="811" height_o="736" data-src="https://freight.cargo.site/t/original/i/039db650152a1bae33fd2826a86d6142b1654d8ff13eb848f740a1f749e62815/Screen-Shot-2022-06-02-at-2.02.28-PM.png" data-mid="144384020" border="0" src="https://freight.cargo.site/w/811/i/039db650152a1bae33fd2826a86d6142b1654d8ff13eb848f740a1f749e62815/Screen-Shot-2022-06-02-at-2.02.28-PM.png" /><img width="809" height="763" width_o="809" height_o="763" data-src="https://freight.cargo.site/t/original/i/4970bb32f9e6e82c874c27c668192889021e08431c0ae66ac5ab261d8ceab6f7/Screen-Shot-2022-06-02-at-2.01.16-PM.png" data-mid="144383939" border="0" src="https://freight.cargo.site/w/809/i/4970bb32f9e6e82c874c27c668192889021e08431c0ae66ac5ab261d8ceab6f7/Screen-Shot-2022-06-02-at-2.01.16-PM.png" /> <img width="1021" height="1268" width_o="1021" height_o="1268" data-src="https://freight.cargo.site/t/original/i/f37bb4f2b7850217e37f209c341e43f91507c2ec06acca42a59881ef309500ab/Screen-Shot-2021-08-22-at-7.23.39-PM.png" data-mid="118394290" border="0" src="https://freight.cargo.site/w/1000/i/f37bb4f2b7850217e37f209c341e43f91507c2ec06acca42a59881ef309500ab/Screen-Shot-2021-08-22-at-7.23.39-PM.png" /><img width="1440" height="1440" width_o="1440" height_o="1440" data-src="https://freight.cargo.site/t/original/i/abde51ad55b77ec8a0197715f222caa1a8a2c36bbd6182697ae27e6514640aae/5CCF1788-5599-4DA3-A46F-E38ED1FF1316-2.JPG" data-mid="118394179" border="0" src="https://freight.cargo.site/w/1000/i/abde51ad55b77ec8a0197715f222caa1a8a2c36bbd6182697ae27e6514640aae/5CCF1788-5599-4DA3-A46F-E38ED1FF1316-2.JPG" /> <img width="1088" height="1219" width_o="1088" height_o="1219" data-src="https://freight.cargo.site/t/original/i/f78e8f99557f8cb89b360204920305035d9e56b6f51b825b4c3fa772b94ba3d9/Screen-Shot-2021-02-25-at-1.03.47-PM.png" data-mid="163702408" border="0" src="https://freight.cargo.site/w/1000/i/f78e8f99557f8cb89b360204920305035d9e56b6f51b825b4c3fa772b94ba3d9/Screen-Shot-2021-02-25-at-1.03.47-PM.png" /> Friday Feb.26 15h CET | Loss Less | Rencontres International Paris/Berlin at Musée du Louvre | Installation multimédia | mov | couleur | 22:53 | USA | 2021&nbsp; “Loss Less” is a site-specific audiovisual work recorded inside of the defunct nuclear cooling tower Satsop. In the 1970’s, the U.S. was more than 20 years into its nuclear power program. In Washington State, a consortium of public utilities began what was to be the largest single nuclear power project in the country’s history. The construction was suspended shortly before the facility was completed and what remains is a structure 129 meters across at the base, and rising to a height of nearly 152 meters. Kamran Sadeghi used its natural acoustics to compose and reshape sound, capturing the architectural integrity and holistic immediacy of the nuclear cooling tower, while symbolically removing its entire existence. Maintaining an emphasis on the sound, Sadeghi created a 3D abstraction from a still taken on location. The title ‘Loss Less’ is derived from the term lossless compression - a process that allows for the preservation and perfect reconstruction of data (audio). In this case the audio was not preserved, but intentionally degraded. The title also expresses the reality of catastrophic loss and destruction caused by nuclear energy, and the call for less. <img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/805b9ec3dcc722f4a84a02cf0ce14fa8b1e12853e4d5ce389c4b769147e099c0/42-41_front-cover_leerraum.jpg" data-mid="92744726" border="0" src="https://freight.cargo.site/w/1000/i/805b9ec3dcc722f4a84a02cf0ce14fa8b1e12853e4d5ce389c4b769147e099c0/42-41_front-cover_leerraum.jpg" />“42.21” - a collaboration with Zimoun on Leerraum Zimoun is most known for his minimalist sound sculptures, sound architectures and installation art that combine raw, industrial materials with mechanical elements.&nbsp; Zimoun is one of the founders of the label Leerraum, he works in the fields of contemporary minimalism, sound art, installation, and composition.-Although Kamran and Zimoun maintained contact after meeting each other in 2012, this is their first recording together.&nbsp; Hopefully not the last. <img width="1700" height="1700" width_o="1700" height_o="1700" data-src="https://freight.cargo.site/t/original/i/e36ce8091644d5f5e75de2fa72fc85a227adb60cd7c4460020db662cc70c17fb/de6033_square.jpg" data-mid="80358940" border="0" src="https://freight.cargo.site/w/1000/i/e36ce8091644d5f5e75de2fa72fc85a227adb60cd7c4460020db662cc70c17fb/de6033_square.jpg" /> Between Us was created using field recordings captured with DIY contact microphones attached to the glass window of Sadeghi’s home in Brooklyn. These protective barriers in the buildings we inhabit operate as a filter from the outside elements. Sadeghi describes the impulse of "wanting to hear the sound outside as it was being transformed to what I was hearing inside." Each recording's tonal slips due to the presence of sonic artifacts such as resonance, noise, low rumble, feedback, and cyclical hum (caused, in part, by the microphones' excessive gain) suggests a gauzy, shifting passage of time at a distance. Between Us by Kamran Sadeghi <img width="2399" height="2400" width_o="2399" height_o="2400" data-src="https://freight.cargo.site/t/original/i/1f474e29b3e22b6352d7a5bb2b66cb9cdcfb767d2a267cb20a0e624334439f8e/byronwestbrook_flyer.jpg" data-mid="80359336" border="0" src="https://freight.cargo.site/w/1000/i/1f474e29b3e22b6352d7a5bb2b66cb9cdcfb767d2a267cb20a0e624334439f8e/byronwestbrook_flyer.jpg" />“Spectral Blur”Spectral Blur is a series questioning the categorization of music by exploring recordings from sound workers, composers and artists who’s works catch us by surprise.&nbsp; Having their own resonance, rhythm and frequencies, often made by altered or non-traditional instruments, musicians continue to challenge our vocabulary rendering classification obsolete. Hosted by: Public Records / Public Access - Curated by: Kamran Sadeghi “Loss Less”A site specific soudn piece recorded inside of a nuclear cooling tower.LABEL: LINEDATE: MARCH 13 2020AVAILABLE: Bandcamp (link below) <img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/014355d80f58142de4a6ff1e58662aba9b4e10e5f9f067df5e76ff716837c62e/Loss-Less.jpeg" data-mid="163703162" border="0" src="https://freight.cargo.site/w/1000/i/014355d80f58142de4a6ff1e58662aba9b4e10e5f9f067df5e76ff716837c62e/Loss-Less.jpeg" />Loss Less by KAMRAN SADEGHI “Music For Pictures No.3” “These evocative pieces by composer Kamran Sadeghi use disquiet and dissonance to open imaginary cinematic worlds”-Bandcamp on Music For Pictures No.3 “Complex Headphone Mindfuck”-The Stranger (Dave Segal) on Music For Pictures No.3<img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/49f1af10d5e8160b9c544091fb8fb931c854c8d8c848c0cb36d371d0d2a55b35/MFP-3.jpeg" data-mid="163703333" border="0" src="https://freight.cargo.site/w/1000/i/49f1af10d5e8160b9c544091fb8fb931c854c8d8c848c0cb36d371d0d2a55b35/MFP-3.jpeg" /> Music For Pictures No.3 by Kamran Sadeghi "Music For Pictures No.2" “These evocative pieces by composer Kamran Sadeghi use disquiet and disonance to open imaginary cinematic worlds.” - Bandcamp <img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/0fc1807aa5b6f318108e19a5e9a9ef874fbf09815551c4377f6c7257ebc7f569/MFP-2.jpeg" data-mid="163703476" border="0" src="https://freight.cargo.site/w/1000/i/0fc1807aa5b6f318108e19a5e9a9ef874fbf09815551c4377f6c7257ebc7f569/MFP-2.jpeg" /> Music For Pictures No.2 by Kamran Sadeghi “Music For Pictures No.1”The first in a new a new series of releases exploring Kamran’s film score, soundtrack and sound design catalog. <img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/38923540f0362e55e80267fba678fe50d88d4e7c16b89271251b353c6d7195ec/MFP-1.jpeg" data-mid="163703636" border="0" src="https://freight.cargo.site/w/1000/i/38923540f0362e55e80267fba678fe50d88d4e7c16b89271251b353c6d7195ec/MFP-1.jpeg" />Music For Pictures No.1 by Kamran Sadeghi ‘Uder The Peace Flag‘ feat. Hanne Lippard recorded at KW Institute Berlin remixes from Sateq [Ateq + Sa Pa] &amp; Steve O'SullivanLabel: Cl.Series <img width="1400" height="742" width_o="1400" height_o="742" data-src="https://freight.cargo.site/t/original/i/44b03104da8fe90ff0cb5a8b6cad192a690b5b1c855fa4de392a1ff919e84ce5/cl_1400_6.jpg" data-mid="46029945" border="0" src="https://freight.cargo.site/w/1000/i/44b03104da8fe90ff0cb5a8b6cad192a690b5b1c855fa4de392a1ff919e84ce5/cl_1400_6.jpg" /> <img width="1400" height="742" width_o="1400" height_o="742" data-src="https://freight.cargo.site/t/original/i/1989a42b233d4d227ddf91f93aadefa88f96365016e1d2b7d4d0c3351cefc9cf/cl_1400_3.jpg" data-mid="46030759" border="0" src="https://freight.cargo.site/w/1000/i/1989a42b233d4d227ddf91f93aadefa88f96365016e1d2b7d4d0c3351cefc9cf/cl_1400_3.jpg" /> <img width="1400" height="742" width_o="1400" height_o="742" data-src="https://freight.cargo.site/t/original/i/393fac53b420b41a0f6efbb403f8cc64429650f2bb1acba89ed9da7250656f6d/cl_1400_1.jpg" data-mid="46030806" border="0" data-scale="89" src="https://freight.cargo.site/w/1000/i/393fac53b420b41a0f6efbb403f8cc64429650f2bb1acba89ed9da7250656f6d/cl_1400_1.jpg" /> https://kamransadeghi.com/PRODUCTION-PORTFOLIO Tue, 06 Mar 2018 19:14:09 +0000 kamransadeghi.com https://kamransadeghi.com/PRODUCTION-PORTFOLIO KAMRAN SADEGHI ︎PORTFOLIO / SELECTED ALBUM PRODUCTIONS 42.41 Zimoun + Kamran Sadeghi <img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/805b9ec3dcc722f4a84a02cf0ce14fa8b1e12853e4d5ce389c4b769147e099c0/42-41_front-cover_leerraum.jpg" data-mid="98221686" border="0" alt="42.41 Cover" data-caption="42.41 Cover" src="https://freight.cargo.site/w/1000/i/805b9ec3dcc722f4a84a02cf0ce14fa8b1e12853e4d5ce389c4b769147e099c0/42-41_front-cover_leerraum.jpg" /> <img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/a6c9d375d997b38acc304cb81410d6dd35514cdba6c5cbf1bf688deebcb042e0/42-41_back_sleeve-cover_leerraum.jpg" data-mid="98222634" border="0" src="https://freight.cargo.site/w/1000/i/a6c9d375d997b38acc304cb81410d6dd35514cdba6c5cbf1bf688deebcb042e0/42-41_back_sleeve-cover_leerraum.jpg" /> <img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/5cf90e76d1e493c8cd7bcf912435883001c830e1fd4144d24cccc102dd5ca66b/42-41_back-cover_leerraum.jpg" data-mid="98222633" border="0" src="https://freight.cargo.site/w/1000/i/5cf90e76d1e493c8cd7bcf912435883001c830e1fd4144d24cccc102dd5ca66b/42-41_back-cover_leerraum.jpg" /> bandcamp: https://kamransadeghi.bandcamp.com/album/4241 www.zimoun.net www.leerraum.net www.kamransadeghi.com Collaboration between Zimoun and Kamran Sadeghi Zimoun is most known for his minimalistic sound sculptures, sound architectures and installation art that combine raw, industrial materials with mechanical elements.42.41 by Kamran Sadeghi + Zimoun FORMAT: Music Album, released Dec 21, 2020 Composition &amp; Mix by Zimoun. Sounds &amp; Mastering by Kamran Sadeghi. Image by Philipp Schaerer. Cover by Marc Beekhuis. Executive Production by Leerraum. Leerraum 091.2020 Loss Less <img width="2360" height="1575" width_o="2360" height_o="1575" data-src="https://freight.cargo.site/t/original/i/d42c6f67b1e8c6321a7a88ba1646becef5a2f60bdd9f2ca0588d4e6734edba56/lossless_center_small.jpg" data-mid="98222771" border="0" src="https://freight.cargo.site/w/1000/i/d42c6f67b1e8c6321a7a88ba1646becef5a2f60bdd9f2ca0588d4e6734edba56/lossless_center_small.jpg" /> <img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/9ffa97dcd5b0bf28a63aab1fbe807ed2625b23aacca772fc9d888532e5789e48/lossless_line_bandcampcover.jpg" data-mid="81627654" border="0" src="https://freight.cargo.site/w/1000/i/9ffa97dcd5b0bf28a63aab1fbe807ed2625b23aacca772fc9d888532e5789e48/lossless_line_bandcampcover.jpg" /> Loss Less by KAMRAN SADEGHI FORMAT: Music Album, Live Concert, Sound Installation, PERFORMANCES: UCLA ART/SCI Center released March 13, 2020 Composed, Mixed, Mastered: Kamran Sadeghi Residency: Environmental Aesthetics Photo: Richard Worsfold TOOLS: Original: Stereo Mic, Stereo PA System, Pro-Tools.&nbsp; Rework: Modular Synthesis, FFT, Live Processing, Ableton. In 2008 Kamran Sadeghi was selected resident artist at Satsop. Inspired by Alvin Lucier’s “I am Sitting In A Room” (1970)—Sadeghi amplified an original electronic music passage with a length of 2 minutes into the open aired structure and recorded the outcome of the tower's acoustic response. This recording was then re-amplified back into the structure and re-recorded. The process was repeated ten times, and with each cycle the natural acoustics of the tower began to reshape the original passage until it disappeared entirely. This approach captured the architectural integrity and holistic immediacy of the nuclear cooling tower while symbolically removing it’s entire existence.he result is a unique 25 minute sonic experience full of audible artifacts that document space, time and our environment. The composition was created on location and in real-time, allowing all natural elements such as wind, rain, wildlife, resonance and feedback-distortion to be a part in the process and therefore the end result. No post production effects were used. The ‘Rework’ version is a studio interpretation recorded live using samples of the original composition, processed through effects and used as a guide for added atmospheric electronic tones as counterpoint. The large throbbing bass drum pattern emphasizes the weight and physicality of the cooling tower, while recalling a sacred ceremonial chants or drums used to converse with or drive away destructive spirits. The title ‘Loss Less’ is a play on the term lossless compression—a type of process that allows for the preservation and and perfect reconstruction of data (audio). In this case the audio was not preserved, but intentionally degraded. The title also taps into the reality of catastrophic loss and destruction caused by nuclear energy. --------------------------------------------------------------------------------------Between Us <img width="1700" height="1700" width_o="1700" height_o="1700" data-src="https://freight.cargo.site/t/original/i/e36ce8091644d5f5e75de2fa72fc85a227adb60cd7c4460020db662cc70c17fb/de6033_square.jpg" data-mid="81628382" border="0" src="https://freight.cargo.site/w/1000/i/e36ce8091644d5f5e75de2fa72fc85a227adb60cd7c4460020db662cc70c17fb/de6033_square.jpg" />FORMAT: Live Concert, Music Album, Sound Installation released August 21, 2020 &nbsp; Composed, Produced, and Mastered by Kamran Sadeghi.Artwork: Kamran Sadeghi - photo of recording in progress.Published by Locked Music Publishing Instruments: Buzzer Piezo Element 2.9Khz 35MM, Equalization, Amplitude. ‘Between Us’ was created using field recordings captured with DIY contact microphones attached to the glass window of Sadeghi’s home in Brooklyn. These protective barriers in the buildings we inhabit operate as a filter from the outside elements. Sadeghi describes the impulse of "wanting to hear the sound outside as it was being transformed to what I was hearing inside." Each recording's tonal slips due to the presence of sonic artifacts such as resonance, noise, low rumble, feedback, and cyclical hum (caused, in part, by the microphones' excessive gain) suggests a gauzy, shifting passage of time at a distance.Between Us by Kamran Sadeghi -------------------------------------------------------------------------------------- What We Leave Behind <img width="842" height="840" width_o="842" height_o="840" data-src="https://freight.cargo.site/t/original/i/4c59290ef707d6a5d8eb4d08b447a4dc7da789f441bb02f94364ece21dce87e4/Screen-Shot-2018-03-06-at-11.52.59-PM.png" data-mid="12498822" border="0" src="https://freight.cargo.site/w/842/i/4c59290ef707d6a5d8eb4d08b447a4dc7da789f441bb02f94364ece21dce87e4/Screen-Shot-2018-03-06-at-11.52.59-PM.png" /> PROJECT PRODUCER: Soundwalk Collective FORMAT: Live Concert, Music Album (Vinyl Factory) PERFORMANCES: Berliner Festspiele - The Long Now Festival - Kraftwerk, Berlin POSITION: Composer, Music Producer, Arranger, Creative Mix, Live Performance Direction. FEATURING: Sound archives from Jean-Luc Godard TOOLS: Modular Synthesis, Elektron Rytm, Ableton Live, ProTools, Live Processing, Field Recording The sonic identity of Jean-Luc Godard is as striking and narrative as his images.&nbsp; The direction of this project was to create a modern musical interpretation using unheard recordings from Godard’s private archives.&nbsp; Taking cues from loops made out of dialogue, location sound and film scores to guide the mood and tempo of each track.&nbsp; Staying away from the predictable “music for film”&nbsp; I used a more dub electronic approach, adding layers of beats and textures in order to highlight themes in the dialogue.&nbsp; Moments in the location or on set recordings were transcribed into musical counterpoints.&nbsp; -------------------------------------------------------------------------------------- Khandroma 12 channel sound installation / album <img width="720" height="480" width_o="720" height_o="480" data-src="https://freight.cargo.site/t/original/i/857e3368bef26e73b663d1eb1d9a7285fd6bcca2d7f824da18a29ac1ebb80b5a/image5.jpeg" data-mid="220142490" border="0" src="https://freight.cargo.site/w/720/i/857e3368bef26e73b663d1eb1d9a7285fd6bcca2d7f824da18a29ac1ebb80b5a/image5.jpeg" /><img width="2082" height="862" width_o="2082" height_o="862" data-src="https://freight.cargo.site/t/original/i/4c92739a19e2537a0f5631943fa323914764f84d49f8d42ce15e5f05d53d1750/image6.jpeg" data-mid="220142489" border="0" src="https://freight.cargo.site/w/1000/i/4c92739a19e2537a0f5631943fa323914764f84d49f8d42ce15e5f05d53d1750/image6.jpeg" />PROJECT PRODUCER: Soundwalk Collective - in collaboration with Analogue Foundation Music Producer, Sound Designer, Creative Mix, Multi-Channel Arrangement: Kamran Sadeghi&nbsp; Commission for The Rubin Museum of Art, NY TOOLS: Modular Synthesis, Formant Filter Tuning, Pro Tools-While working with recordings of wind as a source for musical composition a realization occurred - it’s physical force is similar to the pure sound of white noise and therefore perfect for micro tuning. &nbsp;The desired direction for the project was to create a meditative sonic environment. It was clear that that the arrangement should lead the listener in and out of the raw and processed sound source with no transitional cues, allowing for a subliminal and yet focused listening experience.FEATURING: Recordings from Francisco Lopez PROJECT PRODUCER: Soundwalk Collective - in collaboration with Analogue Foundation - Commission for The Rubin Museum of Art, NY FORMAT: Multi Channel Sound Installation, Audio Video Installation, Album -------------------------------------------------------------------------------------- Killer Road <img width="1024" height="1024" width_o="1024" height_o="1024" data-src="https://freight.cargo.site/t/original/i/fb8ebc9552514cb8f4582573c6ed9f3b4739540d7cbf2e609697caae7c1f556f/sbr154-killerroad-300_1024x1024.jpg" data-mid="12499100" border="0" src="https://freight.cargo.site/w/1000/i/fb8ebc9552514cb8f4582573c6ed9f3b4739540d7cbf2e609697caae7c1f556f/sbr154-killerroad-300_1024x1024.jpg" /> VIDEO: https://youtu.be/ZIArIw31UCc PROJECT PRODUCER: Soundwalk Collective - in collaboration with Analogue Foundation FORMAT: Live Concert, Music Album (Sacred Bones / Bella Union) PERFORMANCES: Union Chapel, London - Volksbühne, Berlin - Florence Gould Hall, NYC POSITION: Composer, Music Producer, Arranger, Creative Mix, Live Performance Direction. FEATURING: Patti Smith, Jesse Paris Smith TOOLS: Modular Synthesis, Op-1, Ableton Live, Live Processing, Field Recording How does one tell a tragic story through music and sound?&nbsp; Killer Road is a tribute to rock icon Nico (of the Velvet Underground). It recounts her life through her poetry and depicts the last moments of her life on the island of Ibiza surrounded by the powerful buzz of of cicada’s.&nbsp; This work required the utmost subtlety with an ever lasting tension and release.&nbsp; Taking cues from the selected poems of Nico performed by Patti Smith, it was important to highlight the voice, thus relying on atmospheric sounds and melodies that allow the listener to be carried away by the lyrical narrative. &nbsp; -------------------------------------------------------------------------------------- Before Music There Is Blood <img width="1024" height="1024" width_o="1024" height_o="1024" data-src="https://freight.cargo.site/t/original/i/3bb926a707a2f11d8e7494ce0c396d1bc1b8e0a14fce2bc66858969a55d2c6e8/AMB1702packshot-1024x1024.jpeg" data-mid="12474073" border="0" src="https://freight.cargo.site/w/1000/i/3bb926a707a2f11d8e7494ce0c396d1bc1b8e0a14fce2bc66858969a55d2c6e8/AMB1702packshot-1024x1024.jpeg" /> VIDEO: https://vimeo.com/198057052 POSITION: Music Producer, Arrangement, Sound Design, Creative Mix TOOLS: Modular Synthesis, Max for LIVE, Pro Tools, Elektron Rytm Recordings inside the conservatory of students practicing and rehearsing, capturing the sounds out of context and reworking them into a series of tracks. &nbsp; The result is a marriage of unintended musical combinations, fused with a dub electronic jazz improvisational call and response. &nbsp; As the field recordings were being played back I was processing them through a series of custom made patches that convert amplitude to gate and cv.&nbsp; In addition to re-synthesizing and processing the original recordings in realtime - I also created additional electronic rhythms as a contemporary counterpoint. FEATURING: Shanghai Conservatory of Music (China), The N. A. Rimsky-Korsakov Saint Petersburg State Conservatory (Russia) and the Conservatorio di Musica S. Pietro A Majella in Napoli (Italy) FORMAT: Live Concert, Music Album (R&amp;S / Apollo Records) PERFORMANCES: Union Chapel, London - Volksbühne, Berlin - Florence Gould Hall, NYCPROJECT PRODUCER: Soundwalk Collective - in collaboration with Analogue Foundation -------------------------------------------------------------------------------------- Illuminations <img width="932" height="524" width_o="932" height_o="524" data-src="https://freight.cargo.site/t/original/i/32d2ab4eb6bba9a7979404aac2daffed670360ba5bf796d200768cdfc590aba2/Screen-Shot-2017-12-30-at-10.57.27-PM.jpg" data-mid="12499280" border="0" src="https://freight.cargo.site/w/932/i/32d2ab4eb6bba9a7979404aac2daffed670360ba5bf796d200768cdfc590aba2/Screen-Shot-2017-12-30-at-10.57.27-PM.jpg" /> PROJECT PRODUCER: Soundwalk Collective - in collaboration with Analogue FoundationFORMAT: 30-channel sound diffusion -Cinéma Sonore - Paris-Radio broadcast, France Culture -Creation On Air-Radio broadcast, Deutschlandfunk - Klangkunst POSITION: Music Producer, Arrangement, Sound Design, Creative Mix, Music Direction FEATURING: Patti Smith, Abel Ferrara, Mulatu Astatke, Charlotte Rampling, Melvil Poupaud, Alain Sancerni, Hanns Zischler, Gudrun Gut and the Sufi group of Sheik Ibrahim TOOLS: Buchla Easle, Korg MS10, Modular Synthesis, Max for LIVE, Pro Tools, Elektron Rytm, How do we interpret and create a sound direction from a geographical location, a piece of poetry, or an ancient ritualistic practice? &nbsp; For Illuminations Soundwalk Collective was tracing the fabled story of Arthur Rimbaud’s journey from Europe to Africa.&nbsp; Tying in his poetry and personal story with the rituals of Sufism that surrounded him in the heart of Harar during his last days. &nbsp; Wanting to create music that was able to reflect the cyclicle and repetiative style of Sufism in a modern synth based album I chose the Buchla Easle for the lead voice because of it’s timbre and ethereial overtones.&nbsp; Influences were the selestial layerings of Terry Rielly and the energy, aesthetics of bands like CAN,&nbsp; Popol Vuh, and Cluster. &nbsp; Further into the process was dedicated to transpose original recordings of the Sufi group Sheik Ibrahim from Ethiopia reciting poems of Arthur Rimbaud.&nbsp; These transpositions were then converted to MIDI variations to then be distributed to additional electronic instruments for the members in the group to alter and add human expression during the recording process. -------------------------------------------------------------------------------------- Kreatur <img width="800" height="534" width_o="800" height_o="534" data-src="https://freight.cargo.site/t/original/i/851a9c681bc2c74a34c51c6dbe95a8cb14a548d491b45a95c732f4c409984f03/6a00e55290e7c4883301b8d2a34e73970c-800wi.jpg" data-mid="12499305" border="0" src="https://freight.cargo.site/w/800/i/851a9c681bc2c74a34c51c6dbe95a8cb14a548d491b45a95c732f4c409984f03/6a00e55290e7c4883301b8d2a34e73970c-800wi.jpg" /> PROJECT PRODUCER: Soundwalk Collective FORMAT: Score for choreographer Sasha Waltz, Musical Album (Dischi Fantom) PERFORMANCES: Radialsystem V, Berlin Centro Cultural de Belém, Lisbon TNC, Barcelona Teatro Argentina / Romaeuropa, Rome Haus der Berliner Festspiele, Berlin La Monnaie, Brussels Opéra, Dijon BAM, Brooklyn New York COSTUME: design by Iris van HerpenPOSITION: Composer, Arranger, Sound Designer, Post Production Mix, Musical Direction TOOLS: Modular Synthesis, Max for LIVE, Pro Tools, Elektron Rytm The composition for Sasha Waltz’s ‘Kreatur’ uses recordings from inside various factories and iconic re-appropriated buildings as source sound. &nbsp; The production required creating a synthetic acoustic environment that matched that of the looped samples of the factories.&nbsp; Tuning Synthesizers, and FX to match or enhance the resonance of these large empty spaces. &nbsp; Musical direction grew out of early visits to the choreographers studio during rehearsals.&nbsp; The score used notation gathered from each scenes choreographic tempo, length, physical story telling, tension and release. Ultimately it was about recreating space, landscapes and memories. &nbsp; The composition features recordings from the Alcantara factory in Nera Montoro (Italy), Berghain (Berlin), Arma17 (Moscow), Gedenkstätte Berlin Hohenschönhausen (former Stasi prison). https://kamransadeghi.com/MIX-PRODUCTION-MASTERING Fri, 05 Jul 2019 14:49:19 +0000 kamransadeghi.com https://kamransadeghi.com/MIX-PRODUCTION-MASTERING KAMRAN SADEGHI ︎MIX/PRODUCE/MASTER Kamran Sadeghi has produced, mixed and mastered nearly 1000 songs from almost every genre imaginable and has cut an equal amount of short run lathe vinyl records, one-off dubplates and acetate disks. 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src="https://freight.cargo.site/w/1000/i/d956793bec1f7d8491db03ed033c10a3431d663f5649bec1c64ad1b42f30e223/a3897303767_10.jpg" /> <img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/7ce08f64b79a5d73fba69efd8eee1c7859853a4d1894f817177406a879baaa5d/a3698479872_10.jpg" data-mid="163479796" border="0" src="https://freight.cargo.site/w/1000/i/7ce08f64b79a5d73fba69efd8eee1c7859853a4d1894f817177406a879baaa5d/a3698479872_10.jpg" /> <img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/712e7f3b891bca14c62ccf718b14a5a4dc901d5559908542f6ec53cba04f3326/a3549656936_10.jpg" data-mid="163479566" border="0" src="https://freight.cargo.site/w/1000/i/712e7f3b891bca14c62ccf718b14a5a4dc901d5559908542f6ec53cba04f3326/a3549656936_10.jpg" /> https://kamransadeghi.com/Disappearing-Music-for-Name-June-Paik Thu, 21 Sep 2023 03:10:45 +0000 kamransadeghi.com https://kamransadeghi.com/Disappearing-Music-for-Name-June-Paik KAMRAN SADEGHI ︎Disappearing Music (for Nam June Paik) &nbsp; &nbsp;<img width="1050" height="1050" width_o="1050" height_o="1050" data-src="https://freight.cargo.site/t/original/i/86b1c260c4e64b48fc5c64161f28bdd54a510c417c9d8a5008004751d895ef8c/LINE_145-promo-cover.jpg" data-mid="191439827" border="0" src="https://freight.cargo.site/w/1000/i/86b1c260c4e64b48fc5c64161f28bdd54a510c417c9d8a5008004751d895ef8c/LINE_145-promo-cover.jpg" /> Disappearing Music (for Nam June Paik) by KAMRAN SADEGHI <img width="3000" height="2250" width_o="3000" height_o="2250" data-src="https://freight.cargo.site/t/original/i/9ffe880e92a8ae4da12fac50da70fc25ad63d46b98caf4e254b2caf8f99774ad/kamran_s_etc_studio3-1.jpg" data-mid="191440942" border="0" src="https://freight.cargo.site/w/1000/i/9ffe880e92a8ae4da12fac50da70fc25ad63d46b98caf4e254b2caf8f99774ad/kamran_s_etc_studio3-1.jpg" /><img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/9f3ff316cf8de862e5e35c443c17d17f782d56a0e9b856aab8f4b489d60f4924/kamrans_etc_portrait1-1.jpg" data-mid="191440946" border="0" src="https://freight.cargo.site/w/1000/i/9f3ff316cf8de862e5e35c443c17d17f782d56a0e9b856aab8f4b489d60f4924/kamrans_etc_portrait1-1.jpg" /><img width="3000" height="2250" width_o="3000" height_o="2250" data-src="https://freight.cargo.site/t/original/i/935e8081aac9c129d724c779dec8f901e9e848b464abe4689bf3b0c4268ee115/kamran_s_etc_studio2-1.jpg" data-mid="191440941" border="0" src="https://freight.cargo.site/w/1000/i/935e8081aac9c129d724c779dec8f901e9e848b464abe4689bf3b0c4268ee115/kamran_s_etc_studio2-1.jpg" /> Kamran Sadeghi returns to LINE with a work utilizing the Wobbulator, a 1970s video synthesizer of the founder of video art, Nam June Paik. Sadeghi’s previous LINE release was 2020’s Loss Less (LINE_110).– Soon after screening audiovisual works in the Seoul International Computer Music Festival in 2009, Kamran began his first artist residency at the Experimental Television Center (E.T.C.) in New York using the Nam June Paik’s Wobbulator—a video synthesizer made out of a modified black and white television monitor. A kind of prepared TV with its coils and tubes exposed. In order to generate patterns you need to send it control voltage and the only way to record the image displayed is by rescanning the screen with a video camera. Inspired by the Wobbulator’s minimalistic design and Paik’s own work with the physicality of sound, Kamran decided to forego traditional musical notation and create pulses, clicks and pops using the E.T.C. studios Doepfer A-100 system and Korg MS-20 synthesizer. These sounds were used to activate the the Wobbulator and generate electromagnetic patterns. For 5 days Sadeghi lived inside of the E.T.C. studio full of cultural history, 50 years of artistic legacy and inventive electricity. This release contains selected parts recorded live in 2009, mixed in 2022 and shared for the first time. “I think sound is time sequence. And then if it contains content, like narratives, then it becomes movie, theater… if music has no power to let you enjoy it without seeing, then it’s not great music.” —Nam June Paik, 1983 Catalog: LINE_145 Format: digital Edition: open edition Release: October 2023Tracklist: 1. Day One (06:54)2. Day One Part Two (03:08)3. Day Three (06:08)4. Day Three Part Two (03:06)5. Day Four (10:03)6. Day Five (04:19)7. Day Five Part Two (07:42)8. Day Five Part Three (01:36) Performed, Mixed, Mastered: Kamran SadeghiMade possible by the Experimental Television Center LINE RELEASE PAGE https://www.lineimprint.com/editions/sound/line_145/ BANDCAMP ORDERING PAGE https://lineimprint.bandcamp.com/album/disappearing-music-for-nam-june-paik ------------------------------------------------------------------------------------ https://kamransadeghi.com/Loss-Less Thu, 05 Jan 2023 18:02:00 +0000 kamransadeghi.com https://kamransadeghi.com/Loss-Less KAMRAN SADEGHI -&gt; Loss Less Friday Feb.26 15h CET | Loss Less | Rencontres International Paris/Berlin at Musée du Louvre | Installation multimédia | mov | couleur | 22:53 | USA | 2021 “Loss Less” is a site-specific audiovisual work recorded inside of the defunct nuclear cooling tower Satsop. In the 1970’s, the U.S. was more than 20 years into its nuclear power program. In Washington State, a consortium of public utilities began what was to be the largest single nuclear power project in the country’s history. The construction was suspended shortly before the facility was completed and what remains is a structure 129 meters across at the base, and rising to a height of nearly 152 meters. Kamran Sadeghi used its natural acoustics to compose and reshape sound, capturing the architectural integrity and holistic immediacy of the nuclear cooling tower, while symbolically removing its entire existence. Maintaining an emphasis on the sound, Sadeghi created a 3D abstraction from a still taken on location. The title ‘Loss Less’ is derived from the term lossless compression - a process that allows for the preservation and perfect reconstruction of data (audio). In this case the audio was not preserved, but intentionally degraded.&nbsp; Loss Less Kamran Sadeghi <img width="2360" height="1575" width_o="2360" height_o="1575" data-src="https://freight.cargo.site/t/original/i/d42c6f67b1e8c6321a7a88ba1646becef5a2f60bdd9f2ca0588d4e6734edba56/lossless_center_small.jpg" data-mid="194748130" border="0" src="https://freight.cargo.site/w/1000/i/d42c6f67b1e8c6321a7a88ba1646becef5a2f60bdd9f2ca0588d4e6734edba56/lossless_center_small.jpg" />Loss Less by KAMRAN SADEGHI FORMAT: Music Album, Live Concert, Sound Installation, PERFORMANCES: UCLA ART/SCI Center released March 13, 2020 Composed, Mixed, Mastered: Kamran Sadeghi Residency: Environmental Aesthetics Photo: Richard Worsfold TOOLS: Original: Stereo Mic, Stereo PA System, Pro-Tools.&nbsp; Rework: Modular Synthesis, FFT, Live Processing, Ableton.In 2008 Kamran Sadeghi was selected resident artist at Satsop. Inspired by Alvin Lucier’s “I am Sitting In A Room” (1970)—Sadeghi amplified an original electronic music passage with a length of 2 minutes into the open aired structure and recorded the outcome of the tower's acoustic response. This recording was then re-amplified back into the structure and re-recorded. The process was repeated ten times, and with each cycle the natural acoustics of the tower began to reshape the original passage until it disappeared entirely. This approach captured the architectural integrity and holistic immediacy of the nuclear cooling tower while symbolically removing it’s entire existence.he result is a unique 25 minute sonic experience full of audible artifacts that document space, time and our environment. The composition was created on location and in real-time, allowing all natural elements such as wind, rain, wildlife, resonance and feedback-distortion to be a part in the process and therefore the end result. No post production effects were used. The ‘Rework’ version is a studio interpretation recorded live using samples of the original composition, processed through effects and used as a guide for added atmospheric electronic tones as counterpoint. The large throbbing bass drum pattern emphasizes the weight and physicality of the cooling tower, while recalling a sacred ceremonial chants or drums used to converse with or drive away destructive spirits. The title ‘Loss Less’ is a play on the term lossless compression—a type of process that allows for the preservation and and perfect reconstruction of data (audio). In this case the audio was not preserved, but intentionally degraded. The title also taps into the reality of catastrophic loss and destruction caused by nuclear energy. <img width="1088" height="1219" width_o="1088" height_o="1219" data-src="https://freight.cargo.site/t/original/i/f78e8f99557f8cb89b360204920305035d9e56b6f51b825b4c3fa772b94ba3d9/Screen-Shot-2021-02-25-at-1.03.47-PM.png" data-mid="194747884" border="0" src="https://freight.cargo.site/w/1000/i/f78e8f99557f8cb89b360204920305035d9e56b6f51b825b4c3fa772b94ba3d9/Screen-Shot-2021-02-25-at-1.03.47-PM.png" /><img width="1021" height="1268" width_o="1021" height_o="1268" data-src="https://freight.cargo.site/t/original/i/f37bb4f2b7850217e37f209c341e43f91507c2ec06acca42a59881ef309500ab/Screen-Shot-2021-08-22-at-7.23.39-PM.png" data-mid="194747885" border="0" src="https://freight.cargo.site/w/1000/i/f37bb4f2b7850217e37f209c341e43f91507c2ec06acca42a59881ef309500ab/Screen-Shot-2021-08-22-at-7.23.39-PM.png" /> <img width="936" height="1193" width_o="936" height_o="1193" data-src="https://freight.cargo.site/t/original/i/dff1140f6889893f0d7925107f3555b1fb6e151567b8c9eb651b32b279cc258c/Screen-Shot-2020-11-29-at-11.47.36-PM.png" data-mid="194748512" border="0" src="https://freight.cargo.site/w/936/i/dff1140f6889893f0d7925107f3555b1fb6e151567b8c9eb651b32b279cc258c/Screen-Shot-2020-11-29-at-11.47.36-PM.png" /> <img width="936" height="1193" width_o="936" height_o="1193" data-src="https://freight.cargo.site/t/original/i/dff1140f6889893f0d7925107f3555b1fb6e151567b8c9eb651b32b279cc258c/Screen-Shot-2020-11-29-at-11.47.36-PM.png" data-mid="194748512" border="0" src="https://freight.cargo.site/w/936/i/dff1140f6889893f0d7925107f3555b1fb6e151567b8c9eb651b32b279cc258c/Screen-Shot-2020-11-29-at-11.47.36-PM.png" />